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Shadows In Sand

by Eddie Rifkind

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1.
i want Paradise i want my revenge i need the taste of it i need the taste of it i want out i want out we take the door from our nightmare into the womb of soldier's cause we want a source to draw thoughts from give us a source to suck thoughts from a parent ten good memories a shining god the knowledge of how to use the gun we take our love inside a frame a cubicle raft upon a stream the greater landscape is just so old who are you on a lifeboat, all alone all the roads are bare at three and mourning the last chapter right on schedule silence is the god inside feeling years caress you slowly as they die do you wonder at the stories blurred in memories of imagined futures in another place of people you think you might be i want food i want water i want out
2.
Medicine 03:33
Search for the wisdom or take pleasure in the trend. It's all just medicine to get you 'round the bend. Become Anonymous or be everyone's friend It's all just medicine to get you to the end. (chorus 1) in all this life in all this time there's just one conse- quence good luck bad luck don't mean a thing they're just to tell how far you are from where you'll be good and great and meek and still up and through and out and gone it will take more than your will so much more than a pawn Protest in freezing wind or buy the government. Just take your medicine! That's how this nightmare ends. Guilt has its savior, parents have all their children. They are your medicine to get you through the end. Yeah! (chorus 2) file it away to leave a record that can speak when you are gone good luck bad luck don't mean a thing they're just to tell how far you are from where you'll be good and great and meek and still up and through and out and gone it will take more than your will so much more than a pawn `
3.
Feeding 05:58
mother walks by the door screaming father walks by the door SCREAMING (x4) procession of processing needs feeding frenzy of guilt fabricating all these years living is feeding feeding is killing and I can kill you but I'm not that willing well, I can't know if it's not too late I've still to earn the gracious state I'm not that precious yet I'm not alive yet i am just not a threat not that human yet not psychotic yet just not a threat not human yet
4.
5.
Comfort Cage 07:24
your manifest destiny's got blue balls today who's gonna live, who's gonna die who's gonna pay you are a liar blending filth and beauty you always win how can we lift ourselves above our comfort cage when our own leaders sell the best lies every day we are the beauty, the illusion and birth we build houses on the cliffs of a flat earth you're a liar blending filth and beauty you always win we celebrate the motherland and all her rage we are the sheep, we are the proudest of slaves and let us hope we don't look in the eye and let us hope that we never know why you're a liar blending filth and beauty you always win
6.
The sky is full of magic whispering the hints and the reminders in the last few days left to science as you grope in blindness just to find her (as she holds your hand) The sky is full of numbers whispering a love dressed in confusion with all the intent I gave to violence I am fulfilled just by your silence (as I hold your hand) The sky is black with magic Let's offer up a candle blind and all too dim to get a handle As we force some truth from the absurd (and lose our hold on you)
7.
No More Lies 02:42

about

Recorded using Logic in 2011-2012, this is Eddie Rifkind's second solo album.

credits

released January 1, 2013

Eddie Rifkind: everything.
Additional vocal samples on track 4, No More Lies, by: Rob Patterson and Sarah Ingerson.

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Eddie Rifkind

Eddie Rifkind is a guitar pedal builder, artist and musician in San Francisco. His music varies widely in style, and has been compared to everyone from Machines of Loving Grace to David Bowie to KMFDM to Led Zeppelin to Dead Can Dance to Killing Joke, drawing from those and other influences from eclectic and inspired rock, post-rock, post-punk, industrial, metal, blues and classical sources. ... more

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